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Cannes, France —No other film was repeatedly praised as much on the street at Cannes in 2016 than Na Hong Jin’s “Goksung” (“The Wailing”). Fitting neatly into the festival’s cannibal phenomena (there were five cannibalism-related pictures in the festival), “The Wailing” borrows ever so gently from “The Exorcist” to weave..

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The Wailing (Goksung)
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